本文转载自 RAC设计课堂

IVA（International VELUX Award）国际威卢克斯设计大赛是两年一度的建筑专业学生竞赛，是同类型竞赛中最重要的全球学生竞赛之一。

9月14日，大赛组委会宣布来自亚洲大洋洲区、西欧区、中东东欧区、美洲区和非洲区的共11件作品，在近600份中脱颖而出获得奖项，其中西安建筑科技大学、北京交通大学两组队伍包揽亚洲大洋洲地区唯二的优胜奖！

竞赛简介

“明日之光”是本届国际威卢克斯大奖赛的总主题。该奖项旨在以开放和实验的方式挑战建筑环境中采光的未来。因此，该奖项旨在拓宽建筑中采光的界限，包括美学、功能性、可持续性以及建筑与环境之间的相互作用。如今建筑物是主要的能源消耗者；因此，需要采取减少能源使用和碳排放的战略，例如利用阳光作为能源和光源。可持续建筑的重点一直放在能源方面。然而，健康是我们最宝贵的资源，能源只是可持续性的一个方面。可持续发展的首要目标应该是维持地球上的人类生命。

良好的室内气候、充足的日光水平和从外部提供的新鲜空气，是使家庭、办公室、幼儿园和学校成为健康的生活和工作场所的关键。我们在建筑物内花费了过多的时间——我们呼吸的空气和暴露在阳光下的数量对我们的健康和福祉，进而对我们的生活质量有很大的影响。因此，我们需要为我们的建筑考虑正确的采光策略和解决方案。

2020年国际威卢克斯奖是与国际建筑师联盟(UIA)紧密合作安排的，由以下教育组织认可:欧洲建筑教育协会、美国建筑学院学生、建筑研究中心联盟和建筑学院协会。这项比赛采取了设立区域预赛和世界决赛不同比赛阶段的办法，且决赛在WAF世界建筑节期间举行，更增加了IVA竞赛的影响力。

2020中国获奖作品

01.Ink And Light

西安建筑科技大学 亚洲大洋洲地区优胜者

Regional Winner Asia + Oceania

类别：光与建筑 Daylight in Buildings

作者/Ziyong Mou, Cong Liu, Jingwen Yang, Mingjie Guo

指导老师/Rui Wu

学校/西安建筑科技大学

国家地区/中国大陆

位于西安古城的碑林以其无数的书画碑刻而闻名于世。但最近，古色古香的碑林将发生很多变化。随着来到石碑森林的人越来越少，政府决定将石碑森林周围的古香古色的房屋夷为平地，用一个新的商业区取而代之。回望过去，古代艺术家通过亲身体验真实的自然事物来获得灵感，从万物的形态中提炼出其背后的魅力，用笔墨的浓淡和黑白的循环呈现出来。

然而今天，人们沉迷于手机屏幕的光线中。中国古老的文明正随着世界发生着巨大的变化。在快节奏的城市化进程和信息的传播中，古老的文明将被电子的浪潮淹没，这片曾经孕育着厚重而美丽的土地被遗弃了。今天在这里，我们能不能用灯光唤醒这个社区，重现一个包含中国人天地思想的水墨世界?

我们尝试将太阳光的负向转化为一种可以感受到中国传统油墨的媒介，一种简单的材料进入我们的视觉领域——塑料薄膜。由于塑料膜本身的自然褶皱，当光线洒在塑料膜上时，自适应褶皱会在某些面出现较强的反射，某些面出现漫反射，有些面光线较弱的地方会变暗。塑料薄膜和光线的结合产生了水墨中黑色、白色和灰色的基本变化，光作为一种媒介就像水一样控制着墨水的厚度。同时，塑料薄膜也是透明的，通过材料，周围的事物也呈现出一种朦胧的状态，这与中国水墨若隐若现的表现不约而同。塑料薄膜的轻盈使得我们的设计能够温和地介入这个古雅的社区。

我们首先设置了结构单元——充满氦气和空气的气球——轻盈地漂浮在空中。单体之间以条带连接形成一个完整的覆盖物，部分单体被塑料薄膜覆盖，形成层状的状态。最后，只需用一根电线轻轻地将设备连接到地面。光幕在碑林古色古香的庭院中轻轻飘浮，充分尊重碑林厚重的历史。只有一点点变化，一切都很不同。

层层叠叠的光幕，渐渐把人们带到了墨的世界。当人们触摸到窗帘时，窗帘就会像墨汁一样产生光影的涟漪，窗帘就像纸，人的手就像笔，人们用光影在院子里作画。在层层的窗帘里，远处的人们、斑驳的旧墙和起伏的屋顶，似乎都隐藏在朦胧的云里。每一个走进装置的人，不仅是光和影墨的观者，也是在此过程中作画的画家，也是在墨云中若隐若现的画作本身。人与墨的世界巧妙地通过光影联系在一起。

这个装置的材料是从城市中回收的废旧塑料产品中挑选出来的，我们用被城市遗弃的东西来拯救一种逐渐被城市遗忘的精神。同时，作为软盖，我们的设备还可以过滤光线，阻挡雨水，为游客提供遮阳和遮蔽。在日新月异的水墨光影中，人们与传统书画团聚，与千年哲学相遇。在光幕下，古老的街坊被唤醒，城市的过去和未来被缝合在一起。

02. Light Therapy

北京交通大学 亚洲大洋洲地区优胜者

Regional Winner Asia + Oceania

类别：光之探索 Daylight Investigations

作者/Lurui Lyu, Fengming Li, Zhu Chen, Gezi Li, Qianqian Zhou

指导老师/Yinan Zhou

学校/西北京交通大学

国家地区/中国大陆

混凝土废料是一个全球性的问题。仅在中国，每年被拆除的混凝土废料就达24亿吨。混凝土是目前消耗最大的建筑材料，广泛应用于水利、水电、交通、工业和民用建筑等领域。

然而，混凝土是典型的脆性材料，当力度超过拉伸极限时，容易开裂。混凝土易受温差、风、阳光和地面不均匀沉降等现象的影响，造成收缩、开裂等现象，从而加速水、氧和腐蚀性介质的侵入，导致混凝土损伤的进一步恶化和内部钢筋的腐蚀。最后，建筑结构将会倒塌。混凝土的这些特性使得混凝土建筑的使用寿命在大多数情况下不超过50年。

一方面，它造成了负面的经济影响。另一方面，混凝土作为不可降解材料，产生大量建筑垃圾，严重影响生态环境。因此，解决混凝土开裂问题，延长混凝土建筑的使用寿命已成为当务之急。

我们设计了一种光修复混凝土颗粒，它由外部可降解材料和内部修复剂组成，与混凝土混合用于建造墙体。在混凝土开裂之前，可降解材料停留在墙体内部，不发生反应，保持了原有的结构。当混凝土开裂时，光线进入裂缝，裂缝附近的颗粒得到阳光。

表层的可降解材料开始分解，内部的修复剂被释放，自动填充壁缝。通过这种颗粒，混凝土一旦开裂，修补剂立即开始修复，大大提高了混凝土结构的稳定性，延长了混凝土建筑的使用寿命。该方法可以在一定程度上恢复和改善混凝土的性能。

2020其它获奖作品

01.Bright Roots

美洲地区优胜者

Regional Winner The Americas

类别：光与建筑 Daylight in Buildings

作者/Alejandro Satt

指导老师/Javier Del Rio

学校/安德烈斯·贝洛大学

国家地区/智利

该项目通过光纤根系统对地铁空间进行改造，引导外部光线进入车站，以产生一个更加明亮和愉快的空间。云的颜色与过路人有直接的关系，把这些不透明的空间转化为短暂的沉思场所。

The project consists in reconditioning the subway’s spaces through a fiber optic roots system that directs the external light into the station in order to generate a more luminous and enjoyable space. The cloud of colors has a direct relationship with the passerby transforming these opaque spaces into places of ephemeral contemplation.

02.Aqip - Air Quality Index Pavilion

美洲地区优胜者 

Regional Winner The Americas

类别：光之探索 Daylight Investigations

作者/Richard Schutte, Mina Onay

指导老师/Jason Peter King

学校/多伦多大学

国家地区/加拿大

气候变化的悲剧在于，它改变我们的环境的速度如此之慢，以至于我们开始适应它。我们没有认识到整个地球共享同一气息。进入拟议的空气质量指数展馆(AQIP)后，游客可以立即看到自然光的转变，因为它被垂直的彩色曲线玻璃层层过滤。沉浸在光学模拟的空气污染层中，游客被邀请去探索和思考危险的大气的全球现象，由色彩斑斓的光的语言索引。

The tragedy of climate change is that it alters our environment so slowly that we become comfortable with it. We fail to recognize that the whole earth shares a single breath. Upon entering the proposed Air Quality Index Pavilion (AQIP), visitors witness an immediate transformation of natural light as it is filtered through vertical layers of tinted curvilinear glass. Immersed in layers of optically simulated air pollution, visitors are invited to explore and contemplate a global phenomenon of hazardous atmospheres, indexed by the colourful language of light.

生活质量与空气质量有关。随着全球城市应对日益恶化的环境条件，AQIP表明，自然光的出现可以为我们提供一个宝贵的工具，以衡量工业的危险影响。结构是一个十米宽，玫瑰状的形式与4英寸厚的玻璃板，设计使用参数化的设计方法。游客被鼓励探索高大的，盛开的彩色玻璃层，直到到达中心，在那里他们在视觉上与外部世界隔绝。巨大的玻璃板类似于理查德塞拉的雕塑;它们被设计成自立和独立，但只有在一起，它们才能被理解为更大的信息。城市污染水平的指数代表体现在展馆的不同暖色和透明度层上。

The quality of life is related to the quality of air. As global cities tackle worsening environmental conditions, the AQIP indicates that the appearance of natural light can provide us with a valuable tool for measuring the hazardous impacts of industry. The structure is a ten meter-wide, rose-like form with 4-inch-thick glass panels, designed using parametric design methodologies. Visitors are encouraged to explore the tall, blooming layers of tinted glass until arriving in the center, where they are visually severed from the outside world. The massive glass panels are similar to the sculptures of Richard Serra; they are designed to be self-supporting and stand apart, but only together can they be understood as a greater message. The indexical representation of cities’ pollution levels is reflected in the pavilion’s layers of various warm tints and transparencies. These colours are derived from real data to visualize the pollution of specific cities chosen to exemplify their country’s worst current air quality.

这些颜色来自真实的数据，以可视化特定城市的污染，以代表他们国家目前最糟糕的空气质量。展馆不仅改变了室内光线的质量，还允许参观者通过不同的全球大气滤镜看到外部环境。它变成了一张经验地图，用来调查和连接这个全球现象。空气质量指数让人们体验到不同程度的空气污染，让他们意识到污染有能力掩盖人与人之间的联系，即使是在公共场所。

These colours are derived from real data to visualize the pollution of specific cities chosen to exemplify their country’s worst current air quality. Not only does the Pavilion change the quality of interior light but it allows the visitor to view the outside environment through different filters of global atmospheres. It becomes an experiential map to investigate and connect this global phenomenon. The AQIP allows people to experience different levels of air pollution and make them realize that Pollution has the power to mask the connections between people, even in public spaces. Through applying the Real-time Air Quality Index (AQI),

通过应用实时空气质量指数(AQI)，选出了全球范围内污染最严重的城市。通过使用显示不同数量的初级和二次污染物的图表，颜料和透明度水平被创建并分配到代表每个选择的城市的玻璃面板上。这16个面板代表了从健康到危险的不同程度的污染。只有当全球污染被层层叠加，才能真正理解这场更大的危机。AQIP使用透明和自然光这一短暂的语言将科学、大气效应转化为个人对这场全球危机的体验。

Through applying the Real-time Air Quality Index (AQI), a global spectrum of Countries’ most polluted cities were chosen. Through utilizing the graphs that indicate different amounts of primary and secondary pollutants, pigment and transparency levels were created and assigned to glass panels representative of each chosen city. The sixteen panels represent different levels of pollution from healthy to hazardous. It is only when this global pollution is seen layered upon itself that a true understanding of the greater crisis can be visualized. The AQIP uses the ephemeral language of transparency and natural light to translate scientific, atmospheric effects into a personal experience of this global crisis. 

大气颜色的变化可以通过瑞利散射的科学原理来描述，它描述了光、大气粒子和气体之间的物理相互作用。空气中的微粒物质吸收并散射光的光子，有效地将天空染成红色、黄色、橙色和棕色。这是由于较高的蓝色波长的光被地球自然大气中的气体过滤了。这种泛黄的效果，结合红色的污染物NO2和颗粒物的棕色色调，创造了设计中使用的黄橙色渐变。这种分层的半透明面板的渐变旨在反映受污染的大气的效果，甚至在展馆中心能见度下降或完全模糊的地方。这种效果所创造出来的美丽色彩，是在丑恶的剥削中诞生的。

The changing colours of the atmosphere can be described through the scientific principle of Rayleigh Scattering, which describes the physical interaction between light, atmospheric particles, and gases. Particulate matter in the air absorbs and scatters photons of light, effectively colouring the sky red, yellow, orange, and brown. This occurs due to the taller, blue wavelengths of light being filtered through gasses in the earth’s natural atmosphere. This yellowing effect, combined with the reddish pollutant NO2, and the brown hue of particulate matter, creates the yellow-orange gradient scale used in the design. This gradient of layered translucent panels aims to reflect the effects of a polluted atmosphere, even to the point where our visibility degrades or is completely obscured at the center of the pavilion. The beautiful hues created by this effect are born from ugly exploitation.

当人们穿过展馆的各个层时，外部世界的能见度变得扭曲和模糊，因为中间的有色玻璃越来越暗。在中心，观众可以看到几乎完全没有自然光。向上看，清晰的天空提供了一种放松的感觉，和一个自然环境的新视角。该设计的灵感来自艺术家James Turrell和Olafur Eliasson的作品，并参考了圣索菲亚大教堂的窗户，以及“上帝之眼”建造在东部州立监狱牢房的天花板上。

As one walks through the layers of the pavilion, the visibility of the outside world becomes distorted and hazy as the tinted glass increasingly darkens toward the middle. At the center, viewers encounter a near-total absence of natural light. Looking upward, a clear view of the sky provides a sense of relief, and a new perspective of the natural environment. This design is inspired by the works of artists James Turrell and Olafur Eliasson, and references the windows of the Hagia Sophia, and the ‘Eye of God’ built into the ceiling of the prison cells in the Eastern State Penitentiary.

多伦多是一个提出建设的理想地点，因为它是最多元文化的城市之一。这种直接参与污染的美丽但令人压抑的视觉效果的体验，旨在使人身临其境并产生情感。空气质量指数使游客能亲眼看到全球污染对光线质量和能见度的影响，因为它过滤了我们周围的世界。由于空气污染对健康、美学和空气质量的负面影响极大地影响了一个地区的生活质量，全球许多城市都在应对空气污染这一日益严重的问题。展馆是工业对全球空气质量影响的量化象征，也是机会的象征，世界各地的社区可能会聚在一起，让所有城市都重获光明。

Toronto is an ideal site for proposed construction, because it is one of the most multicultural cities in the world and has an exceptionally clear atmosphere. This experience of directly engaging with the beautiful but oppressive visual effects of pollution is intended to be immersive and emotional. The AQIP enables visitors to personally visualize the global effects of pollution on the quality of light and visibility as it filters the world surrounding us. Air pollution is a worsening problem that many cities around the globe are tackling as the negative effects on health, aesthetics, and air quality dramatically affect a region’s quality of life. The pavilion acts as a quantified symbol of the industrial effects of global air quality, and as a symbol of opportunity that the world’s communities may come together to return all cities to light.

03. Solar Desalination Skylight

西欧地区优胜者 

Regional Winner Western Europe

类别：光与建筑 Daylight in Buildings

作者/Henry Glogau

指导老师/David Garcia

学校/丹麦皇家美术学院

国家地区/丹麦

设计背景:一种为智利沿海非正规定居点提供水、光和能源的整体方法。原型利用智利的丰富的太阳能和海水来创建一个太阳能海水淡化天窗，利用释放自然漫射光的盐水生产饮用水。利用剩余的能源创造的全球城市化背景:创造了一个复杂的挑战,包括人口快速增长,和不公平现象和经济发展的基础设施。

A holistic approach to providing Chile’s coastal informal settlements with water, light and energy. The prototype utilises Chile’s abundance of solar energy and seawater to create a solar desalination skylight, which emits natural diffused light, produces drinking water, and utilises leftover salt brine for energy creation' background: Global urbanization has created a complexity of challenges, including rapid population growth, and inequities within the infrastructure and economic development. 

到2050年，预计将有30亿人生活在非正式定居点内。一种非正式的解决方案是不受政府控制或监管的住房。这些社区无法定期获得城市发展带来的好处，包括公共服务、基础设施、公共空间和集体设施。智利目前有大约11万家庭，分布在800个非正式定居点社区内。通常情况下，这些房屋都用木板封住窗户，以保证安全、隐私和免受极端条件的影响。这导致内部几乎没有自然光。为了提供人工光源，能量通常是通过侵入定居点外的正规系统来找到的。这是非常危险的，并在社区内引起了许多毁灭性的火灾。水是他们无法获得的另一项重要资源。在大多数情况下，这些水只能每星期用运水车运到定居点一次，费用非常昂贵。

By 2050, it is predicted that 3 billion people will be living within informal settlements. An informal settlement is housing that falls outside of government control or regulation. These communities are excluded from regular access to the benefits of urban development, including public services, infrastructure, public spaces and collective facilities. Chile, currently has around 110,000 families within 800 informal settlements communities. Typically, these homes have boarded up windows for security, privacy and protection from the extreme conditions. This results in little to no internal natural light. In order to provide an artificial light source, energy is usually found by hacking into the formal systems outside of the settlements. This is highly dangerous and has caused many devastating fires within the communities.Water is another essential resource to which they have no formal access. In most cases, this can only be transported to the settlements by water trucks once a week at a very expensive price. 

设计理念：资源获取是这个建筑照明原型设计的核心。我确定了阳光和海水两种原始资源，这些社区可以无限利用。我想实现一个可持续的、被动的设计，并在黑暗的住宅内部创造一个引人注目的特色。在我的开发过程中，很明显，我可以通过创建一个混合天窗和太阳能脱盐设备来解决室内照明和水的缺乏。这样，蒸发海水所需的太阳能就得到了优化。漫射的内部光线为生活空间创造了一种柔和的氛围，在这里可以进行大多数活动(学习、家庭聚餐、会议)。收集的淡化水增加了一个变形斑驳的效果，改变心情一整天。

DESIGN IDEA: Resource access was a central focus in designing this architectural lighting prototype. I identified two raw resources which these communities had unlimited access to: sunlight and seawater. I wanted to achieve a design which was sustainable, passive, and created a striking feature inside the dark settlement home. In my development process it became apparent that I could address the lack of indoor lighting and water access by creating a hybrid skylight and solar desalination device. In this way the solar energy required to evaporate the seawater was optimized. The diffused internal light creates a soft ambience for the living space where most activities can take place (studying, family meals, meetings). The collected desalinated water adds a morphing dappled effect that changes the mood throughout the day.

该设计的灵感来自仿生表面，模拟了叶片的脉络网络和微槽，从而改善了冷凝水的渠道，以提高性能。结果表明，该原型每天可以生产440毫升纯净水，并将盐度水平从36000ppm(百万分之20ppm)降低到20ppm。我考虑过如何利用蒸发过程中产生的盐卤废料，通过将其放入装有铜和锌的储罐中进行反应来产生能源。这12块盐电池提供9.53伏特的电压，在夜间为一个LED灯条供电，白天由一个迷你太阳能电池板充电。

The design was inspired by biomimetic surfaces, emulating the leaf venation networks and micro grooves, thereby improving the channeling of condensed water to increase performance. The results showed that the prototype could produce 440 ml of purified water a day, and reduced salinity levels from 36,000ppm (parts per million) down to 20ppm. I considered how the salt brine waste from the evaporation process could be used to create a source of energy through a reaction when placed in storage tubes holding copper and zinc. These 12 salt batteries provided 9.53 volts, powering a LED light strip during the night and charged by a mini solar panel during the day.

在对智利安托法加斯塔的非正式定居社区为期一个月的考察期间进行了测试和评价。通过与当地一家非政府组织(TECHO)的合作，我有机会将我的设备安装到居民点的家中。这是一个与当地社区的许多人接触的独特机会。在这里，我得到了宝贵的反馈，以帮助发展和评估这个想法。

Testing and evaluation were done during a one month long expedition to the informal settlement communities in Antofagasta, Chile. Through collaborating with a local NGO (TECHO) I had the opportunity to install my device into a home within the settlements. This was a unique opportunity to engage with many from the local community. Here I got valuable feedback to help evolve and evaluate the idea. 

城市内部的非正式性是一个全球现象，为了创建安全、可持续和繁荣的社区，迫切需要解决这个问题。在不久的将来，政府系统将面临越来越大的压力，如气候变化、私有化和资源短缺。因此，我们需要以一种可持续的、自主的方式重新想象我们的生存环境。

Informality within cities is a global phenomena and needs to be urgently addressed for the creation of safe, sustainable and prosperous communities. Governmental systems will face growing stresses such as climate change, privatization and resource scarcity in the near future. Therefore, we need to re-imagine our living environments in a sustainable and autonomous way to survive.

04.Words To Light – Lucioles [Fireflies]

西欧地区优胜者 

Regional Winner Western Europe

类别：光之探索 Daylight Investigations

作者/Xingyu Chen, Matteo Giglio, Adrien Grillet, Noëlie Seguet-Pey, Nicolas Salha, Raphaël Pletinckx, Hiba Nasser, Ghil Meynard

指导老师/Jean-Luc Capron

学校/鲁汶天主教大学

国家地区/比利时

建筑回应：由于光线，自然的和人工的，文字被修复并归还给那些最需要它们的人。光变成了文字，传递着信息。在这个过程中，阳光穿过帐篷的一个开口，到达一面镜子的表面，而镜子又将阳光反射到帐篷的表面。

An architectural response: Thanks to light, natural as well as artificial, words are restored and given back to those who need them most. The light becomes words, bearer of the message. During the process, the sun rays passes through an opening of the tent, reach the surface of a mirror, which in turn reflects the sunlight onto the surface of the tent.

帐篷充当屏障：用于交流的屏幕。与路人沟通，与城市沟通。

The tent acts as a screen; a screen to communicate. To communicate with the passersby, to communicate to the city. 

社会文化环境：根据收集的数据“大路”,主要援助布鲁塞尔的无家可归的人群,无家可归的人的数量（尤其严重的布鲁塞尔首都地区）10年来增加了一倍多,在2018年达到4175人，整个比利时更是达到50000多名。当你被拒绝，没有证件，没有钱，没有房子，你如何成为社会的一部分?最弱的人，非平等主义制度的受害者，最终远远看不到，一天又一天，变得越来越不为人所见。有必要把这些无家可归的人带回社会，让他们表达自己的身份，他们的名字，他们的故事，他们的知识，他们的情感，他们的生活历程。

Socio-cultural context: Based on the data collected by "La Strada", the main support for the Brussels’ homeless, the number of homeless people or badly housed people in the Brussels-Capital Region has more than doubled in 10 years, reaching a number of 4,175 in 2018, and more than 50,000 in the whole Belgian territory. How to be part of society when you are rejected, without papers, money or roof? The weakest, victims of a non-egalitarian system, end up far from sight becoming, day after day, more and more invisible. It is necessary to bring the homeless people back to society, allowing them to express who they are, with their name, their story, their knowledge, their sensibility, their course of life.

为了突出那些我们从不关注忽视的人发出声音，我们的建议旨在通过光线让这些人发出声音。这将在公共空间中创造一种互动，让来自不同背景的人们见面和分享。生活在一起，团结在一起，就必须加强交流，团结在一起，把大家联系在一起。

In order to highlight those whom we never look at and to give a voice to those whom we don’t listen at, our proposal aims to give these people a voice by light. This will create an interaction in the public space, allowing people from different background to meet and share. To live together and live in solidarity, we must enhance exchanges and engage in solidarity to create a bond between all.

瞬息即逝的萤火虫(诗歌导言)：社会是一张巨大而明亮的网，由人们组成。个体也是如此，就像萤火虫组成整体一样。网络是一种复杂的织物，丰富的多样性，闪耀着无数的细微差别。关心社会，共同生活是这个防护网的保障，这个团结网的保障。因此有必要在这幅大画布上编织灯光。像萤火虫一样，小而明亮的灯光在明亮的城市的阴影中闪烁。在寒冷寂静的黑暗中，只有帐篷的织物作为保护，萤火虫在寻找它们的路。他们在公共空间聚会时，孤独地漫步，试图保持灯光的活力。他们都生活和聚集在街道、地方或广场上，讲述着自己的故事。它们是由我们不知道的原因驱动的。但无论为什么或如何，他们都是人类。

Ephemeral Fireflies (poetic introduction): Society is a great bright web, where people compose the meshes. And so do the individuals, as fireflies composing the whole. The web is a complex textile, rich in diversity, that shines with its countless nuances. To take care of the society and to live together are the guarantee of the protective mesh, of the solidarity mesh. And it is therefore necessary to weave lights on this large canvas. Like fireflies, small bright lights flash in the shade of bright cities. In the cold and silent darkness, with the fabric of a tent as only protection, fireflies are seeking their way. They wander lonely trying to keep their lights to life while meeting on the public space. All of them live and gather on streets, places or squares, with their own story. They are driven by reasons that we do not know. but no matter why or how, they are human.

05. Suncity

中东、东欧地区优胜者 

Regional Winner Eastern Europe and the Middle East

类别：光与建筑 Daylight in Buildings

作者/Ezgi Üzümcü, Nasibe Nur Dündar, Nijat Mahamaliyev, Alperen Temur

指导老师/Mehmet Cem Altun

学校/伊斯坦布尔技术大学

国家地区/土耳其

世界与太阳之间的交流，这种最古老的友谊，受到了人类与人类生产的阻碍。为了保持这种交流的持续，应该发展新的城市化方法和建筑研究。随着太阳城的发展，这些新方法不断被研究和生产。这款游戏提高了玩家对日光重要性的意识。

Communication between the world and the sun, the most ancient friendship, is hampered by human and human productions. New urbanization methods and architectural researches should be developed to keep this communication constant. Along with SunCity, these new methods are continually researched and produced. The game raises awareness of the importance of daylight for the players.

《太阳城》是一款“大型多人在线/实时战略游戏”，挑战玩家如何创建城市和建筑形式，让城市在快速增长的人口和城市化中获得平等的日照。该游戏向玩家实验了规划和建筑的动态，并提高了对城市中建筑的光权的认识。每一款游戏都以独特的形式组合出未来城市场景的原始设计方案。游戏宇宙包含了行星阳光和一颗具有地球和太阳特征和关系的恒星。“阳光星球”包含32个不同地理特征的城市。每个城市可供5名玩家同时使用。玩家可以通过空位置退出游戏，同时城市也在不断进化，以获得足够的日光以满足每个城市的特定要求和给定的挑战。每个城市有400平方街区(20x20)需要建造，以容纳所需数量的人口，同时创造足够的公园/公共空间和通往每个建筑街区的道路。每个街区包含25个单元(5x5)，每个单元容纳一个人。

使用建造和雕刻工具在整个城市分布日光。在加入planet sunshine中的一座城市后，玩家可以开始使用游戏设置中的建造和雕刻工具对城市进行塑造，以在整个城市中创造平等的日光。建造工具有不同的建筑块，具有不同的日光透过率。雕刻工具涉及到块，如公园、道路或支撑脚手架，以创建空地和建筑块之间的间隙，并允许日光通过。玩家可以建造或雕刻三个不同的影响区域，分别为1块，9块(3x3)和25块(5x5)。不同的范围允许玩家在城市规划规模和建筑规模。

Use build and carve tool to distribute daylight throughout the city. After joining a city in planet sunlight, players can start shaping the city to create equal daylight access throughout the city with the build and carving tools from the game set. Build tool has different building blocks with different daylight transmittance rates. Carve tool involves blocks such as parks, roads or supporting scaffold to create empty areas and gaps between building blocks and allow daylight to pass through. Players can build or carve with three different impact areas of 1 block, 9 blocks(3x3), and 25 blocks(5x5). Different ranges allow the player to build in the city planning scale and also architectural scale.

未来城市场景游戏在整个过程中创造参与城市规划的结果，创造一个由玩家建造的城市模式和建筑形式。参观者或玩家可参与日光展的form-finding调查。

Future City Scenarios The game creates outcomes of the involving cities throughout the process to create an exhibition of city patterns and architectural forms built by the players. Visitors or players can join the form-finding investigation of the daylight exhibition.

06.The Theater Of Light - Conceptual Design Of Land Art In The Izera Mountains, Poland

中东、东欧地区优胜者 

Regional Winner Eastern Europe and the Middle East

类别：光之探索 Daylight Investigations

作者/Paweł Białas, Dominik Kowalski, Julia Giżewska

指导老师/Jerzy Wojewódka

学校/西里西亚技术大学

国家地区/波兰

人工光污染是当今世界的一个大问题。正因为科技，每天我们在夜晚也能享受“白天”一样的光亮。但另一方面，由于它整个昼夜周期被打乱了。这意味着人类、动物和植物被剥夺了每天至少有几个小时在黑暗中生存的自然需要。

Artificial light pollution is a huge problem in the modern world. Every day we turn night into a day thanks to technology. But on the other hand, due to it the whole diurnal cycle is disturbed. Which means that humans, animals and plants are deprived of a natural need to exist in darkness, for at least a few hours a day.

我们项目的主要目标是提高人们对人工光污染的认识。我们选择了欧洲最黑暗的地方之一——波兰的伊泽拉暗天空公园。我们的想法是创造超过一公里的陆地艺术，让人们有机会在剧院里观察一小片天空——光的剧院。与此同时，通过解决方案的规模，让我们意识到我们是多么的渺小……具有象征性的圆作为一种形状，常用于天文馆，包含许多形而上的隐喻…比如循环，地球，天空或永恒的联系。在我们的项目中，它也是对古代剧场的重新诠释，通过建筑的构成，观众的注意力集中在舞台上……

The main goal of our project is to raise awareness on the subject of artificial light pollution. For our location we chose one of the last darkest places in Europe - Izera Dark Sky Park in Poland. Our idea is to create over a kilometer land art, which gives people the opportunity to observe a slice of the sky as in the theater - theater of light. at the same time, by the scale of solution, it puts us in mind of how small we are... The symbolic circle, which as a shape is often used in planetariums, contains many metaphysical metaphors... Referring to cyclicality, earth, sky or eternal connection. In our project, it is also a reinterpretation of the ancient theater, in which, through the architectural composition, the viewer's attention was focused on the stage ...

在我们的土地艺术案例中，我们通过一个中空的、原始的沟渠激发观众去仰望天空。由于科技的飞速发展和城市的扩张，对人造光的需求巨大。因此，全世界的人造光完全吸收了我们需要的黑暗。所展示的地图显示了这种污染在欧洲、波兰和伊泽拉山区是如何发生的。可以很容易地看到，我们为我们的宣言所选择的地方是位于伊泽拉山脉的欧洲最后的黑暗地之一。那里也是波兰与捷克边境的伊泽拉黑天空公园。

In the case of our land art, we provoke viewers through a hollow, raw ditch to look at the sky. Due to the rapid development of technology and the expansion of cities, huge demand of artificial light is created. For this reason, artificial light around the world completely absorbs the darkness we need. The presented maps show how this pollution works in Europe, in Poland and in the Izera Mountains. We can easily see that the place that we have chosen for our manifesto is one of the last dark places in Europe located in the Izera Mountains. Where is also a place of Polish-Czech cross-border Izera Dark Sky Park.

多年来，人造光一直在污染我们的大气——这就是为什么我们想创造一些东西，不仅欣赏自然的黑暗之美，也欣赏白天的变化。人类需要欣赏我们头顶的天球上的小光——星星，银河，就像冬天日出的美丽一样。我们想要展示的是，黑暗与空气、土壤、水和岩石一样，都是自然环境的组成部分……

For years artificial light has been polluting our atmosphere - that is why we wanted to create something which will admire not only natural darkness beauty but also the daylight changing through the day. Humans need to appreciate small lights on the celestial sphere above us - stars, Milky Way the same as the beauty of winter sunrise. We wanted to show that darkness is the same component of the natural environment as the air, soil, water and rocks... 

我们的项目直接借鉴了一个古老的剧场，观众在其中体验不同类型的场景和情感，最终达到预期的宣泄。对比这个过程的多样性，我们创造了一个空心的圆，让观众可以观察天空的不同部分，让他们找到自己的一片天空。就像在艺术中，观看和感受事物的最好方式就是在观者和艺术品之间建立一种联系，在这个例子中就是包罗万象的天空。一条长长的木凳通向剧场圈，它是一种引导，让我们在路上的每一刻都停下来欣赏散射在我们周围的美丽光线。我们希望我们的项目只是一个光线的背景，一个观察它的工具，一个安静的休息和专注的地方。光的剧院教会我们对看似难以察觉的事物敏感。

Our project is a direct reference to an ancient theater in which the viewer experiences different types of scenes and emotions, which culminate in the expected catharsis. Comparing the diversity of this process, we have created the hollow circle which will allow viewers to observe different pieces of the sky, let them find their own slice. Just like in art, the best way to see and feel something is to create a bond between viewer and the piece of art, which in this case is the all-embracing sky. A long wooden bench leads to the theater circle which is a kind of guidance that allows us to stop at every moment of the road and admire the beautiful light scattering around us. We wanted our project to be only a background for light, a tool to observe it, a quiet place for rest and concentration. The theater of light teaches sensitivity to seemingly imperceptible...

07. A Million Little Lights

南非地区优胜者 

Regional Winner South Africa

类别：光与建筑 Daylight in Buildings

作者/Michali Jameson

指导老师/Jean Wiid

学校/Greenside Design Centre, College of Design

国家地区/南非

目前，南非面临着日益严重的住房危机，迫使很大一部分人建造非正式住房作为自己的家。该项目旨在解决非正式住宅中由于光源、保温和缺乏气流而产生的问题。不需要电力的解决方案，因为目前电力在南非是稀缺商品。

概念:我提议的生态空气灯方案，由回收塑料瓶制成，旨在有效利用阳光照明和冷却锡制房屋。

Currently South Africa faces a growing housing crisis forcing large portions of the population to create informal houses as their homes. This project seeks to solve the issues that arise from Light Sources, Heat Retention and Lack Of Airflow in the informal houses. Solutions that do not require electricity, as that proves to be a scarce commodity in South Africa currently. 

CONCEPT: My proposed Eco Air-Light, made of recycled plastic bottles, is designed to utilize the sunlight effectively in illuminating and cooling the tin homes.

08.Let There Be Light

南非地区优胜者 

Regional Winner South Africa

类别：光之探索 Daylight Investigations

作者/John Ogungbefun, Emmanuel Ayo-Loto

指导老师/Babajide Onabanjo

学校/奥巴费米亚沃洛沃大学

国家地区/尼日利亚

设计旨在为可持续照明提供一个环境的解决方案，提高能见度，恢复河边的社区在夜晚的生命力。在全国，属于社区的光亮和幸福一直在黑暗的阴影下。“要有光”这个方案本质上有教学意义的呼吁，处理的设备是由塑料制作的分配器与注入瓶，迷你太阳能电池板从白天储存太阳能，点亮塑料瓶内的LED面板。塑料瓶内的水依次分散，因此，该装置辐射照明。

The design aims at providing an ambient, sustainable lighting solution that improves visibility at night time in riverine communities, restoring the community life, spark and happiness that has been overshadowed by darkness in these communities nationwide, essentially a pedagogical "LET THERE BE LIGHT” The Device is made of disposed plastic dispenser bottles with an infused mini solar panel that stores solar energy from daylight, to light up LED panels within the plastic dispenser bottles which in turn is dispersed by the water contained in the plastic bottles. The device thus radiates lighting.

09.Melody Of The Light Weaving

亚洲大洋洲地区 荣誉提及

类别：光与建筑 Daylight in Buildings

作者/Sungjoo Han, Rayoun Hwang, Hagyung Seo, YeongInn Moon

指导老师/Tony Woonghee Cho

学校/弘益大学

国家地区/韩国

这个项目从卡萨布兰卡的孩子们的故事开始。他们在垃圾堆旁玩耍，因为他们无处可玩。世界各地的贫富差距正在扩大，失去了人性。我们想为贫困地区的孩子们提供一个新的游戏设施，在那里他们可以通过光线获得丰富的感官体验。这个空间白天充满自然光，晚上有明亮的室外空间，照亮了这个荒凉而不稳定的村庄。我们希望这个充满活力的空间能给村庄带来活力，进一步缩小地区之间的差距。

The project begins with the story of children in Casablanca. They play by garbage dumps because they have nowhere else to play. The gap between the rich and the poor is widening and losing their humanity around the world. We wanted to provide children in underprivileged areas with a new play facility where they could have rich sensory experiences through light. The space is filled with natural light during the day and bright outside at night, lighting the scene of the village, which was stark and unstable. We hope that this space of vitality will make energy in the village and further reduce the gap between regions.

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